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Ghostrunner sword locations7/28/2023 ![]() ![]() SAFD Regional Workshop Instructor: Taught several classes as part of a Society of American Fight Director’s regional workshop. The Lincoln Assassination, Lincoln, NE (2011) Students learn the fundamental of fighting in the two weapon style most commonly observed by Shakespeare’s audiences. SAFD Skills Proficiency Class Instructor: This is a ten week course in Elizabethan Rapier and Dagger that culminates in a skills proficiency test adjudicated by a Fight Master from the Society of American Fight Directors. Workshops in Stage Combat Instructor: Teach students the fundamentals of unarmed stage combat and Elizabethan Rapier. The Studio Theatre Acting Conservatory, Washington, DC (2010 - 2013) ![]() Movement/Stage Combat Instructor: Work with rising start in the Washington National Opera to gain an understanding of movement and embodying dramatic physical confrontation as part of their opera training. Stage Combat Guest Instructor: Taught unarmed combat with emphasis on acting, partnering skills and physical awareness in conservatory program.Īdditional Classes and Workshops Domingo-Cafritz Young Artists Training Program, The Kennedy Center, Washington, DC (current) Lee Strasberg Theatre Institute, NYC (2002) Stage Combat Guest Instructor: Taught unarmed combat with emphasis on acting, partnering skills and physical awareness in MFA acting program. Movement/Stage Combat Instructor: Developed and integrated stage combat element into six-week acting intensive workshop culminating with an evening of performance in both classical and contemporary styles. Classes are taught as part of a two year acting program and focus heavily on acting within a combative scene as well as technique. Stage Combat I-IV Instructor: Taught unarmed, single rapier, rapier and dagger and broadsword to students in NYC acting conservatory. Introduction to Stage Combat Broadsword: Taught the basics of stage combat with the broadsword to collegiate level conservatory students as part of the NCSA summer session.Īmerican Musical and Dramatic Academy, NYC (2002 - 2004) North Carolina School of the Arts, NC (summer 2004) Stage Combat Guest Instructor: Instructed MA students in the art of “sword fighting” with panache, élan, and unimpeachable style. University of Maryland, Maryland Opera Studio (2006) Stage Combat Guest Instructor: Introduced students to the basics of “extreme acting” in a “master class” format. This is a 60 hour course which will address unarmed and armed violence and culminate in a Skills Proficiency Test adjudicated by an SAFD Fight Master. Stage Combat Instructor: Teach the basics of safely and effectively performing staged violence within the context of a dramatic scene for VCU’s MFA candidates. ![]() Virginia Commonwealth University, Virginia (2007) Unarmed Stage Combat Instructor: Teach the basics of safely and effectively performing techniques of staged violence including falls, tumbling, punches, locks, strangulation and slaps within the context of a dramatic scene.īroadsword Instructor: Teach the basics of performing techniques of stage combat utilizing the medieval broadsword within the context of a dramatic scene. McDaniel College, Maryland (2008 - current) The History of Arms and Armor Instructor: This recurring spring lecture course traces the often non-linear evolution of weapons and defensive equipment throughout the ages from pre-history and the early Mesopotamian civilizations to Ancient Greece, the Roman Empire, the European Middle Ages and the European Renaissance. George Mason University, Virginia (2009 - 2010) Also direct/choreograph movement and violence for those productions with these specific needs. The first semester is concerned with unarmed techniques while the second focuses on the use of the rapier and dagger. The Catholic University of America, Washington, DC (2005 - current)įorms of Movement III-IV, Stage Violence Instructor: Teach the basics of safely and effectively performing staged violence within the context of a dramatic scene for students in CUA’s MFA program. Academic American University, Washington, DC (2009 - current)Īrtist in Residence: Responsibilities include teaching various acting, movement and theatre history course as well as stage combat each semester in addition to choreographing/directing movement for main stage and black box productions. ![]()
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